BLAB! #4 Summer 1989. Published by Kitchen Sink Press Inc. Copyright Daniel Clowes.
Editor: Monte Beauchamp
Click the image to go to the interview....
Below are my photographs of this show (which was awesome!) Feel free to use my photographs but please credit Black Hook Press!
Bit of a Maruo festival coming up next month. Bunch of fringe artists, musicians,fashion creators, speakers etc. coming together for a 3-day event. 800 yen admission fee.Big evening session on the 7th May with the director of the the Maruo movie (Torico) and others giving a talk. More info' below. See you there!
Tokyo Art Book Fair had a hiatus last year but it's back for 2019 and with a new date (July 12-15th) , new venue (Museum of Contemporary Art) , and a new pre-book fair fringe/pop edition at Sony Ginza from March 8th to April 14th. (Here's my review from the show in 2017).
The pop up subterranean venue is ace. It took me about an hour to realize the Ginza edition sits on the site formerly used by the concept store The Parking . The venue is spacious, airy, and in a really good center of Tokyo location. I would do a festival here.
The pop-up consists of week-long artist exhibitions, a permanent Zine's Mate Shop, Live music, and exhibitor booths (weekends only). There are about 30 exhibitor booths over 2 of the floors and they are open from 12pm to 8pm (!) on Saturdays and Sundays. The exhibitors are different each week.
I had a good walk around the fringe show and I like this format (in this venue). I am looking forward to the big Tokyo Art Book Fair in July and hope it gets back some of the vibe and groove it had when it was located at Kyoto University of Art & Design at Gaien Campus.
Tokyo Art Book Fair 10th Edition 10th Edition Jul 12-15 2019 at Museum of Contempory Art Tokyo - https://tokyoartbookfair.com/en/
Ginza Edition on until the 14th April !
Beams Japan X Bonten Taro Gekiga Works Collaboration- exhibition, books, and goods at Beams Japan Flagship store , Culture art, 4th floor, Shinjuku 18th - 30th January 2019 - Release launch of BADASS BABE! book by BHP.
I was invited to talk this evening about Bonten and why I publish him by Kunisawa-san (Bonten Gekiga Works) at Beams Japan, Shinjuku, but I have influenza. DOH. Ryan Holmberg (@mangaberg ) will be talking for #blackhookpress instead (thank you Ryan). He helped edit this book for which I'm truly grateful I'm gutted I can't do the talk but happy that Badass Babe! Public release is at Beams Japan, thank you Kunisawa-san. If you've already ordered this it's on its way to you. If you haven't ordered this already then be quick and you might get one of last signed (hanko'd) copies left in the store. Limited. Thank you Udagawa-san, Kato-san, Asakawa-san, Shinjiro-san, taiyo-shuppan , printpac, Feargal South, Alex Einz, Lelezard noir, and all you lot for your continued support!
Go see this show at Beams Japan, its pretty awesome.
WHAT IS BEAMS JAPAN?
Beams is a monolith in terms of Japanese mainstream curation fashion and Beams Japan is it's flagship store. If you are visiting Japan and are a shopaholic then you'll probably end up in here at some point, you'll most likely end up marvelling at what can be purchased at this branch.It's cool. It's a temple of modern consumerism. It's not so cool that your mum will be confused. They have their fingers in lots of pies an are good at shining a light on, and guiding consumers towards understanding the Japanese consumer landscape. Sorry, I still have influenza so this write up is a little out there. Here's
a map below to the location and here's a link to a better article here,
â"Shinjuku âBEAMS Japanâ: The Best Shop For Made-in Japan Souvenirs! (Inside the Store)''
Last Friday I was invited by Emily Yoshimoto, and Ryan Holmberg, to attend the opening & talk event for the Baron Yoshimoto retrospective exhibition at the Yayoi Museum (map below) - this museum is dedicated to Manga & Gekiga and it's close to Ueno in Tokyo. I'd met Emily Yoshimoto (Baron's Daughter) previously when I tagged along with Ryan Holmberg and Emily to the Keirin (Cycle) racing track in Tachikawa early in 2018 when he was doing some fieldwork for the Retrofit Baron translation (The Troublemakers).
I'd first come across Baron Yoshimoto's work when I went to a show of his that was in Shibuya a couple of years back. He did that show with Katsuya Terada and it was large panel work that they were doing, kind of 'batttling' each other with each panel. It was a lot of fun then and has led them to do further shows together. This retrospective shows some of Baron's larger panel (later period) work on the walls of the 2nd floor as well as (earlier) manga works in the cabinet. On the 1st floor you'll find Baron's early works from the 1950s sweeping round anti-clockwise as his career progressed and fame followed. It's a wonderfully put together show that shows really well how Baron's career developed and how his early artistic experiences helped to feed into his success later on. He's a bit of a living legend in my eyes and has some killer dance moves that would easily put me to shame (check out the 2nd floor for evidence of this point).
I have included below a link to Ryan Holmberg's show instagram post and the original text. I am in agreement with Ryan, this show is awesome, Emily's done a fantastic job curating it. If you are in Tokyo between now and 31st March this show is not to be missed!!!
âRyan Holmberg - As expected, the Baron Yoshimoto retrospective at the Yayoi Museum in Tokyo is awesome. Pretty much every show this museum does is. But this one felt personal, since I have been working closely with the artist for the past two years. It was great to see the original pages of "Eriko's Happiness" (1971), which served as the cover and lead story of The Troublemakers. Baron's drawing and design sense is superb across the board. It's hard to believe that he's used a brush almost exclusively since the late 60s. For me as a researcher, among the most enticing finds were unpublished samurai and ninja illustrations and kashihon-style manga pages from before his debut. I would love to do a translation of Baron's Gambling series (1969-71), so my eye made a beeline for the original artwork and the folders of photos he used for research and source material. While putting together The Troublemakers, I pestered Emily (his daughter and agent) for a period photograph of her father, which she couldn't findâbut there were quite a few from the 60s and 70s on display . . . next time! The second floor of the museum mainly featured Baron's (very weird) paintings, which he has been making since the mid 80s. On the wall next to the bathroom was a video projection of Baron doing his famous octopus dance. At the opening, Baron has gotten so used to making up stories about who I am while out drinking that he introduced me to editors as Ryan Goblin (probably a portmanteau of Holmberg and my Ginza alter-ego Gosling, Ã la Goblerg). That's cool. He caught himself and laughed, and it's better than Hamburger, which I've gotten in Japan more than once. Nice to see The Troublemakers @retrofitcomics next to the new painting catalogue from @pie_international in the museum's gift shop. It has an English translation (heavily corrected by me) and foreign distribution, so fully recommended to Baron fans of all tongues. If you visit the show, treat yourself to Baron-themed cappuccino at the cafÃ© next door. #baronyoshimoto #ããã³åå #yayoimuseum #å¼¥çç¾è¡é¤¨
We've had a number of requests for the Spring Summer Catalogue